Abstract:

This bibliographic study explores the interplay between the Bible and music within the context of African Christianity. Underpinned by the theory of syncretism, the paper employs a contextual thematic analysis to unravel the nexus between African indigenous music and Christian worship and draws implications for both scholarship and practice. Findings indicate that early European missionaries incited a satanic impression against the use of African indigenous music among Christian worshippers. It was contrarily revealed that Bible-informed use of African music in Christian worship is imperative for evangelisation, deeper spirituality, and faster church growth in Africa. In conclusion, the paper emphasises that the Bible and (indigenous) music are inseparable. It also maintains that music has the transformative power of fostering community cohesion, religious identity, and spiritual devotion among African Christians. Finally, the paper recommends greater collaboration among scholars, theologians, music educators, and gospel music practitioners in the African context in accomplishing the goal of the gospel.