Abstract:

This article explores whether music can function as a hormonal regulator in female reproductive health, situating the inquiry at the intersection of musicology, endocrinology, pedagogy, and cultural studies. Drawing on Episto-Musical Pedagogy Theory, which frames music as both a knowledge system and pedagogical tool within decolonial musicology, the researcher conducts a narrative review and conceptual synthesis of biomedical and ethnomusicological evidence. Existing studies consistently demonstrate that musical engagement reduces cortisol, enhances oxytocin release, and supports emotional regulation, thereby buffering stress and fostering resilience. While direct evidence on reproductive hormones such as estrogen, progesterone, Luteinizing Hormone (LH), and Follicle-Stimulating Hormone (FSH) remains limited, indirect pathways suggest that stress reduction through music may positively influence menstrual regularity, fertility, and perinatal well-being. Cultural traditions, including ritual drumming and communal singing, further highlight music’s role in reproductive support. The paper proposes a framework mapping inputs, mediators, and outcomes, and concludes by calling for interdisciplinary, culturally sensitive research to validate music as a non-invasive, empowering intervention in reproductive health.