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British Journal of Education, Learning and Development Psychology
Vol. 9Issue 12026pp. 105–116Published 8 March 2026
DOI 10.52589/BJELDP-35ZXLSUBShare Link
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Abstract:
Early childhood development emerges at the intersection of perception, movement, social interaction, and culture. Within this context, music and language function as two highly structured sound systems whose rhythmic, prosodic, and phonological regularities shape how children perceive, predict, and produce meaning. Drawing on evidence that these domains share neural resources—particularly in temporal coding, prosodic processing, and syntactic integration—this article argues that structured vocal training can serve as a deliberately designed “laboratory” for strengthening core language components in young learners: phonological awareness, prosodic sensitivity, articulatory precision, and verbal fluency. Patel’s OPERA framework (Overlap, Precision, Emotion, Repetition, Attention) provides the central lens, linked to findings from cognitive neuroscience and developmental psychology. The article also considers music’s contribution to emotional intelligence and social attunement, and concludes that when musical activities are systematically aligned with linguistic goals, they become cost-effective, empirically grounded tools for early language support.
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