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Author(s): Stephen Nyanteh Ayesu, Samuel Agbenyo, Mark-Millas Fish.

Volume/Issue: Volume 8, Issue 3 (2025)

Page No: 101-111

Journal: African Journal of Social Sciences and Humanities Research (AJSSHR)

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Abstract:

Ghanaian traditional music plays a vital role in various aspects of life, including festivals, funerals, storytelling, and other communal activities, serving as a repository of the nation’s cultural heritage. In this digital era, the representation and documentation of this music on digital platforms are crucial for its continued relevance and accessibility as the digital space has become a competitive source of information. While numerous audio and visual recordings of Ghanaian traditional music exist on digital platforms, there is a need to analyse these recordings and their effectiveness for music instruction and related activities. The discographic design was employed in this study to examine the audio and visuals of Ghanaian traditional music elements on digital platforms. It also explored the conditions under which these recordings were made, revealing both strengths and limitations in their technical and methodological aspects. Findings highlighted issues such as poor sound quality, inadequate camera work and insufficient technical expertise. The study concluded that these issues hinder the effective use of these recordings for educational and artistic purposes on digital platforms. It recommends a standardised approach to recording, one that incorporates objective methodologies, multi-scene perspectives, stable focus, proper zooming, the integration of expert knowledge, advanced facilities, and appropriate equipment.

Keywords:

Discographic, digital platform, audio, video, traditional music, recordings, Ghanaian.

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